Legba's Crossing: Narratology in the African Atlantic - download pdf or read online

By Heather Russell

In Haiti, Papa Legba is the spirit whose permission has to be sought to speak with the spirit global. He stands at and for the crossroads of language, interpretation, and shape and is taken into account to be just like the voice of a god. In Legba’s Crossing, Heather Russell examines how writers from the USA and the anglophone Caribbean problem traditional Western narratives via cutting edge use, disruption, and reconfiguration of form.

Russell’s in-depth research of the paintings of James Weldon Johnson, Audre Lorde, Michelle Cliff, Earl Lovelace, and John Edgar Wideman is framed in gentle of the West African aesthetic precept of àshe, a top quality ascribed to paintings that transcends the prescribed obstacles of shape. Àshe is associated with the features of improvisation and suppleness which are imperative to jazz and different artwork varieties. Russell argues that African Atlantic writers self-consciously and self-reflexively control dominant varieties that prescribe a definite trajectory of, for instance, enlightenment, civilization, or growth. She connects this probably postmodern meta-analysis to a lot older West African philosophy and its African Atlantic iterations, which she calls “the Legba Principle.”

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